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RE: An Open e-Letter to His Holiness Pope Benedict XV1
Thursday, December 17, 2009 4:05 PM
From:
"Fr. Robert J. Robbins" <Fr.Robert.Robbins@archny.org>
What do I have to do with this?
Father Robert J. Robbins
Director, Commission for Ecumenical and Interreligious Affairs
Pastor, Church of the Holy Family
The United Nations Parish
Charities
The
Catholic Charities of the Archdiocese of New York seeks to uphold the dignity of each person as made in the image of God by
serving the basic needs of the poor, troubled, frail and oppressed of all religions. We collaborate with the parish and Catholic
and non-Catholic partners to build a compassionate and just society. Through a network of administered, sponsored and affiliated
agencies, Catholic Charities delivers, coordinates and advocates for quality human services and programs touching almost every
human need.
Visit their website: www.catholiccharitiesny.org Administration
1011 First Avenue 11th Floor
New York
, NY 10022
212.371.1000
http://www.archny.org/charities-1/
Offices/Departments of the Archdiocese of New York
There
are over 100 individual departments at the Archdiocese of New York. We hope
this directory is useful. However, If your are experiencing difficulty finding the appropriate contact information please
call us direct during normal business hours, we have operators standing by to help direct your call. 212-371-1000
Or
- If you have found an inaccuracy, please submit a change here.
- 1011 First Ave
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- Floor: 17
- New York ,
NY 10022
- Contact: Joseph Zwilling
- Phone: 212-371-1011 Ext. 2997
Email: Communications@ archny.org | |
Re: Online Petition to Pope Benedict XV1
Thursday, January 21, 2010 12:42 AM
From:
"Ufficio dell'Obolo di San Pietro" <obolo.sp@segstat.va>
To:
maria.embry@sbcglobal.net
Madam, I suggest that you contact the Apostolic Nunciature in the United States:
His Excellency
Mons. Pietro Sambi
Apostolic Nunciature
Washington, D.C. 20008-3687
3339 Massachusetts Avenue, N.W.
Tel. 202-333-7121
E-mail: nuntiususa@nuntiususa.org
Yours sincerely,
Msgr. Tullio Poli
************* ----- Original Message ----- From: maria.embry@sbcglobal.netDate:
Thursday, January 21, 2010 2:52 Subject: Online Petition to Pope Benedict
Cadinal Crescenzio Sepe, Arcbishop of Naples
Online Petition
to Pope Benedict XV1 to Reform Labor Pratices of the Roman Catholic Church
Between
Cardinale
Crescenzio Sepe and You
Maria
Elizabeth Embry January 23 at 7:18pm
Online
Petition to Pope Benedict XV1Thursday, January 21, 2010 10:41 PM
From: "maria.embry@sbcglobal.net"
<maria.embry@sbcglobal.net>View contact detailsTo: benedictxvi@vatican.va
--- On Wed, 1/20/10, maria.embry@sbcglobal.net <maria.embry@sbcglobal.net>
wrote:
Cardinal Roger Mahony, Arcbishop of Los Angeles
Online Petition
to Pope Benedict XV1 to Reform Labor Practices of the Roman Catholic Church
Between
Cardinal Roger
Mahony and You
Maria Elizabeth Embry January 23 at 7:37pm
Online
Petition to Pope Benedict XV1Thursday, January 21, 2010 10:41 PM
From: "maria.embry@sbcglobal.net"
<maria.embry@sbcglobal.net>View contact detailsTo: benedictxvi@vatican.va
--- On Wed, 1/20/10, maria.embry@sbcglobal.net <maria.embry@sbcglobal.net>
wrote:
Online Petition to His Holiness Pope Benedict XVI
Saturday, January 30, 2010 12:04 AM
From:
"maria.embry@sbcglobal.net" <maria.embry@sbcglobal.net>
Bcc:
segreteria@memoresdomini.it, chancellerie@militia-christi.org, MIinternational@ofmconv.org,
posta.vi@cmv.it, citt??deiragazzi@centromissionario.org, info@movimento-oasi.it, info@apg23.org, c.internacional@tovpil.org,
tovcano@prodigy.net.mx, mondo.migliore@iol.it, lcrc@legionaries.org, cooperatori@sdb.org, cppsgeneralate@pcn.net, info@santegidio.org, sekretariat@s-fb.org, carmis@rm.nettuno.it,
sermig@sermig.org, shalom@comunidadeshalom.org.br, apostolato@sodcvs.org, centresa@wanadoo.fr, end-international@wanadoo.fr,
secretaria.stj@pcn.net, secdirit@pcn.net, ccguac@libero.it, sif@focolare.org, operadinazaret@libero.it, sg@signis.net, missions@signis.net,
unionefma@cgfma.org, fmadnocturna@hotmail.com, mmtc@skynet.be, secretar@omaaeec.org, jxruiz@adelphia.net, admin@wuct-umec.org,
wucwoparis@wanadoo.fr
Online Petition to
Pope Benedict XV1 to Reform Labor Practices of the Roman Catholic Church
Thursday, January 21, 2010 8:11 PM
From: "maria.embry@sbcglobal.net"
<maria.embry@sbcglobal.net
To: nuntiususa@nuntiususa.org Bcc: Nightly@NBC.com
Online Petition to
Pope Benedict XV1Thursday, January 21, 2010 8:09 PM
From: "maria.embry@sbcglobal.net"
maria.embry@sbcglobal.net
To: correo@fratersp.org, gyiacktonyrouse@aol.com, associazione_caterinati@virgilio.it, contact@aic-international.org,
foi.lumiere@wanadoo.fr, carpol@tin.it, infos@ccic-unesco.org, ccig@bluewin.ch, info@iccrs.org, bice.paris@bice.org, leon.tambour1@yucom.be,
ciciams@tiscali.be, cicg_coordmundial@yahoo.com.ar, cics-iccs@cics.org, secretariat.ch@icmc.net, international_secretariat@paxromana.org
Online Petition to
Pope Benedict XV1Thursday, January 21, 2010 8:07 PM
From: "maria.embry@sbcglobal.net"
maria.embry@sbcglobal.net
To: world@mijarc.org,
miec-imcs@wanadoo.fr, sgmidade@club-internet.fr, ikue@ikue.org, jm.de.forges@libertysurf.fr, uigse@scouts-europe.org, jeciycs@wanadoo.fr,
cmfsecgen@pcn.net, concilium@legion-of-mary.ie, vie_montante_int@hotmail.com, KopiaGorka@oaza.pl, viverein@tin.it, viverein@libero.it,
cbeneitez@intramed.net.ar
Online Petition to
Pope Benedict XV1Thursday, January 21, 2010 8:06 PM
From: "maria.embry@sbcglobal.net"
maria.embry@sbcglobal.net
To: delamora@dsi.com.mx, csendin@adsis.org, tercapcgr@pcn.net, webmaster@schoenstatt.de, pingault-painvie@yahoo.fr, info@catholicfraternity.net,
oiec@pophost.eunet.be, webmestre@chemin-neuf.org, mcvx.wclc@agora.stm.it, sintmvc@computextos.com.pe, claire.amitie@wanadoo.fr,
moderateur.secretariat@beatitudes.org, assotardini@woow.it, coic@pophost.eunet.be
Online Petition to
Pope Benedict XV1Thursday, January 21, 2010 8:01 PM
From: "maria.embry@sbcglobal.net"
maria.embry@sbcglobal.net
To: correo@fratersp.org, gyiacktonyrouse@aol.com, associazione_caterinati@virgilio.it, contact@aic-international.org, foi.lumiere@wanadoo.fr,
carpol@tin.it, infos@ccic-unesco.org, ccig@bluewin.ch, info@iccrs.org, bice.paris@bice.org, leon.tambour1@yucom.be, ciciams@tiscali.be,
cicg_coordmundial@yahoo.com.ar, cics-iccs@cics.org, secretariat.ch@icmc.net, international_secretariat@paxromana.org, info@icra-agrimissio.org,
acisjf@bluewin.ch, helo@ucip.ch, info@uniapac.org, saceli@libero.it, cgi.information@ozanet.org, direzionegenerale@sodcvs.org,
apostolato@sodcvs.org, cijoc@tin.it, unum-omnes@libero.it, secretariat@fidaca.org, fiamc.va@virgilio.it, info@fimcap.org,
sgfiuc@bureau.fiuc.org, international@larche.org, jtorren3@pie.xtec.es, fimarc@skynet.be, fiac@azionecattolica.it, info@fiacifca.org,
jici@wanadoo.fr, ikw@kolping.de, ondilo-GKS-AMI@t-online.de, miamsi.rome@flashnet.it, miamsi.roma@flashnet.it
Fw: Online Petition to Pope Benedict XV1
Wednesday, January 20, 2010 8:26 PM
From: "maria.embry@sbcglobal.net" maria.embry@sbcglobal.net
To:
info@opusdei.it, cfcglobe@info.com.ph, infor@emmanuel-info.com, spotkmal@qdnet.pl, epjcarlos@hotmail.com,
g.testard@fondacio.org, foyer.de.charite.chateauneuf@wanadoo.fr, ammv@adinet.com.uy, cl@comunioneliberazione.org, centroint@comunioneliberazione.org,
privada@fasta.org.ar, contact@pointscoeur.org, arautos@arautos.org.br, psfnazareth@inwind.it, imc@icpe.org
Fw: Online Petition to Pope Benedict XV1
Wednesday, January 20, 2010 8:09 PM
From: "maria.embry@sbcglobal.net" maria.embry@sbcglobal.net
To:
delamora@dsi.com.mx, csendin@adsis.org, tercapcgr@pcn.net, webmaster@schoenstatt.de, pingault-painvie@yahoo.fr,
info@catholicfraternity.net, oiec@pophost.eunet.be, webmestre@chemin-neuf.org, mcvx.wclc@agora.stm.it, sintmvc@computextos.com.pe,
claire.amitie@wanadoo.fr, moderateur.secretariat@beatitudes.org, assotardini@woow.it, coic@pophost.eunet.be.
Fr Maghari, a liturgical music composer
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Philippine Liturgical Music
Manuel P. Maramba, OSB
When the first Spanish missionaries
came to the Philippines in the 16th century, the Catholic faith they preached to the natives was expressed in a
liturgy that was in Latin and the music that went with it was Western. They celebrated the liturgy using Gregorian chant,
polyphonic Masses and motets, and hymns, all in Latin. Gradually they instructed the natives not only in singing but also
in playing various instruments like guitar, violin, flute, harp and later on, the organ. In 1857 a boys choir was formed in
the Dominican convent of Sto. Domingo which evolved into a music school. Later a fine organ was installed in the church.
The first orchestra was formed in the Augustinian Convent of Guadalupe in 1601. In 1643, Fray Juan de Torres established the
Manila Orchestra. In 1742, the Colegio de Niņos Tiples de la Iglesia Cathedral was founded. Between 1816-1824, Fr. Diego de
Cerra built a unique instrument, the famous Las Piņas Bamboo Organ which is still being used for liturgical services in the
Parish Church of St. Joseph. It contains 950 bamboo pipes with 22 stops, 43 pipes for each register and 12 pedals. In 1870
the Augustinian Fray Toribio organized an orchestra at the San Agustin Church in Intramuros. The orchestra was led by Marcelo
Adonay, the first native Filipino to compose a Mass. Other Filipino musicians were Pantaleon Lopez and Ladislao Bonus.
The Christianized natives did not find
the Latin liturgical celebrations in church adequate enough to express their faith. so there evolved extra liturgical services
in which they could perform music that was more to their taste: they sang songs in Spanish and gradually included songs in
their own vernacular language. Thus, during the Advent-Christmas season, aside from the Simbang
Gabi (or Misa de Aguinaldo) they held the Panunuluyan and the Pamamasko where Spanish,
Mexican and local villancicos were sung. During the Lenten season, in their homes they
held the Pabasa, or public chanting of the Pasyon. On Easter Sunday, the Salubong was held early in the morning in the plaza before the dawn Mass. For the celebrations of All Saints'
Day (Nov. 1) and All Souls' Day (Nov. 2), aside from going to Mass and to the cemetery to give honor to the departed, singing
groups called pangangaluluwa pretending to be the wandering souls of the dead, would go
from house to house begging for prayers and alms. In the month of May, devotion to Mary took the form of the "Flores de Mayo".
Also in May, to commemorate the finding of the Cross by Empress Helena, the mother of Emperor Constantine, there is the Santacruzan. In all these extra-liturgical celebrations Spanish and vernacular hymns were
sung with music which was not like the Gregorian chant or classical polyphony or Latin hymns that were sang in the Church.
In October, the Rosary with the litany of the Blessed Virgin Mary were chanted or sung in the vernacular. During Novenas especially
to patron saints, Spanish and vernacular songs as well as prayers were the rule. Gradually, non-Latin songs entered into the
Simbang Gabi celebrations (with castanets and tambourine and even bird whistles). other
extra-liturgical celebrations were more theatrical, like the Senakulo and the Moriones (Marinduque) during Holy Week. Others were dances in honor of the local patron saints like the
Ati-atihan (Aklan) in honor of Santo Niņo and the dancing during the procession in honor
of Santa Clara (Obando) and other celebrations in honor of Santo Niņo in Cebu, Pandacan, Tondo, etc. Up to the end of the
Spanish rule, the Christianized Filipinos attended the religious services in church mostly as audience while music was
sung by trained choirs in the Parish Churches accompanied by the organ and some instruments, even an orchestra. After these
celebrations, they had their own extra-liturgical celebrations with their own sacred and religious songs and dances.
At the beginning of the 20th century
the situation begun to change. On November 22, 1903 Pope Pius X issued his motu propio, "Tra le Sollicitudine" to reform the
liturgy. He encouraged the participation of the congregation in the liturgical celebrations. The liturgy was still in Latin
but bishops and pastors were instructed to teach the faithful to sing the ordinary of the Mass at least in Gregorian chant.
As the faithful were taught to sing the Latin Mass, gradually vernacular songs were introduced side by side. Several German
& French dioceses had special concessions to sing parts of the ordinary of the Mass in the vernacular (the German singmesse).
In other places, especially in the missions, where such concessions were not given, vernacular songs with religious texts
(though not,liturgical texts) were introduced.
At the start of the American rule in the Philippines,
the new missionaries, this time coming from the United States of America, introduced English hymns and songs in English. Missionaries
from Europe taught English translations of their own vernacular hymns, such as the German hymns: Grosser
Got Wir Loben Dich (Holy God, We Praise thy Name), Lobe den Herren (Praise to the
Lord) & Stille Nacht (Silent Night); the French Lourdes hymn (Immaculate Mother),
Cantique de Noel (O Holy Night); even the Latin hymn: Veni
Veni Emmanuel (O Come, O Come Emmanuel). A four-hymn pattern for Mass started to evolve. The liturgy was still in Latin
but the faithful would sing at the entrance, offertory, communion, and after the Mass using vernacular songs.
Although some Protestant missionaries like the
Methodists started to arrive toward the end of the Spanish rule (last half of the 19th century), the advent of
American rule signaled an influx of Protestant missionaries, mainly American. They brought with them a liturgy that emphasized
the participation of the congregation in singing hymns not in Latin but in their vernacular (English). The Protestant liturgy
was alive with congregational participation and in a language the congregation could understand. The Aglipayan Church which
was also founded at this time separated itself from the main Catholic body and introduced the use of the vernacular in their
liturgy. Local sects (like Iglesia ni Cristo) were being formed and the services were in the vernacular.
Catholic composers followed the example of Marcelo
Adonay who composed Liberamus (1869), Benedictus (1895),
Hosanna (1899), and Te Deum and a grand mass. Ave Marias were composed by Nicanor Abelardo, Francisco Santiago, Francisco Buencamino,
Sr., and Manuel Veluz. The songs were usually sung by a soloist during the offertory or communion on Sundays, as well as during
weddings and funerals. Masses were written by Antonio J. Molina, Juan Hernandez & Antonio Buenaventura, all in Latin.
A few non-Latin hymns were written during the period (first half of the 20th century): Nomas
Amor que el tuyo by Simeon Resurrecion and Gloria a Jesus en el Cielo which was composed
for the International Eucharistic Congress in 1937. The Benedictine Jaime Bofill, OSB composed O
Nino Dios in honor of the Sto. Niņo de Prada enshrined in the Benedictine la Virgen in honor of the La Naval statue which
had been venerated at the Dominican Convent of Santo Domingo since the 17th century.
On December 25, 1955, Pope Pius XII issued his
encyclical letter "Musicae Sacrae Disciplina" on Sacred Music and on September 3, 1958, the Sacred Congregation of Rites issued
an Instruction, "De Musica Sacra" which detailed new norms on sacred music. Among the norms was a universal concession to
sing sacred vernacular songs during the Latin liturgy.
When the preparatory Commissions were preparing
for the Vatican Council II after the announcement made by Pope John XXIII in 1958 that he will convene a General Council,
there was a strong lobby to change the Tridentine decree that required Latin to be used in the liturgy. The Council convened
in 1962 and on December 4, 1963 approved its first document, the Constitution on Sacred Liturgy, "Sacrosanctum Concilium".
The document permitted the translation of parts of the liturgy (especially the Mass) into the vernacular. Subsequent documents
would eventually allow more parts to be translated until the whole liturgy was in the vernacular.
On January 1964, the bishops of the Philippines
met in Cebu City and immediately approved the use of Philippine languages for the liturgy in addition to English and Spanish.
The approved languages were: Tagalog, Cebuano, Ilocano, Pangasinan, Pampango, Bicolano, Hiligaynon, & Waray. Ibanag and
Chavacano were later approved and all were confirmed by Rome.
Filipino composers were at first in a quandary
as to what music to use in the liturgy since there was no Filipino liturgical tradition to speak of. The Spanish colonial
music that evolved during the more than three centuries of Spanish rule and which spilled over to the 20th century
after the coming of the American rule was mostly secular in character, and at best used in extra-liturgical services. Some
masses and other hymns and prayers like Ave Maria, Stabat Mater, Tantum Ergo, O Salutaris
have been set to music in this style.
The first attempt was to translate the English
text of hymns into the vernacular which proved to be a disaster for the most part. The Benedictine Abbey of Our lady of Monserrat
in Manila introduced the Pilipino chant adopted from indigenous ethnic chants from the north: (Kalinga), from Mindoro (Mangyan)
and from Mindanao (taken from the collection of Dr. Jose Maceda of UP). This was presented to the bishops in their meeting
in Baguio City in January 1965. This chant was flexible enough to be sung in different languages and was published in English,
Cebuano, & Bicol. One bishop commented: "Why use these pre-Hispanic chants when the Filipino Christians are more familiar
with Spanish colonial music developed during the three centuries of Spanish rule?" Another approach was to adopt foreign songs
especially American songs and music composed and compiled by the Taize Community in France.
At the forefront of the liturgical reform in
the Archdiocese of Manila was a Belgian missionary, Fr. John Vanders Sten CICM, who was the director of the Manila Cathedral
Choir as well as the San Carlos Major Seminary choir. With Sr. Graciana Raymundo, DC, dean of the College of Music of La Concordia
and the Benedictine monks, Fr. Van de Steen, CICM organized concerts of Sacred Music in the Abbey Church of Our Lady of Monserrat
and the Manila Cathedral and other venues. Seminars on Sacred Music, the forerunner of the Manila Archdiocesan Institute of
Music in the Liturgy (now based in Sta. Isabel College).
In the 1970's the Jesuits spearheaded the introduction
of Spanish colonial music into the liturgy. Fr. Eduardo Hontiveros, SJ was at the head of this movement with his confreres
Fr. Nemy S. Que, SJ, Fr. Fruto Ramirez, SJ and later joined by the young Fr. Manuel Francisco, SJ. Most of the songs they
composed were in Tagalog liturgy. In Davao City in Mindanao, Narcisa Fernandez, a music graduate wrote for the Cebuano liturgy.
In Cebu, a musician educated in the USA, Msgr. Rudy Villanueva, enriched the music for the Cebuano liturgy. Lucio San Pedro
& Edgardo Parungao made their own contributions in a more classical but traditional style. Ernani Cuenco used a more popular
style; Lucresia Kasilag composed a mass with ethnic influences and Ryan Cayabyab, in his own personal idiom, rhythmic and
melodious, composed a mass which was even choreographed and performed at the Manila Cathedral.
The Benedictine Missionary Sisters of Tutzing
(St. Scholastica's College) helped in the reform, not only by composing new songs but, in addition, through a collection of
hymns and songs for the liturgy: "PAX". They also conducted Summer Sessions on Liturgical Music with students coming from
all over the country. Foremost among them is Sr. Mary Placid Abejo, OSB, the dean of the College of Music. Under her direction,
the sisters put together music for the Liturgy of the Hours (the Roman Office) which is used widely among religious communities.
The Benedictine monks of the Abbey of Our Lady
of Monserrat (San Beda College) set their monastic Liturgy of the Hours to music by composing new chant formulae. Pasyon chants were adapted for use in the Holy Week liturgical celebrations. Music for the All Soul's Day Mangangaluluwa were adapted for the funeral liturgical rites. Christmas carols and mass songs
were composed for the Simbang Gabi liturgies including the midnight mass. Plain chant
is still sung by the monks in their daily compline office, in the office of vigils,especially of Christmas, and on special
occasions.
In the 1980's, the Benedictine monks conducted
Seminars on Liturgy during Easter week. These later evolved into the Paul VI Institute of Liturgy when the Catholic Bishops'
Conference of the Philippines (CBCP) requested the Philippine Benedictines who belong to the Subiaco Congregation to establish
a liturgical institute not only for the Philippines, but also for Asia. Fr. Anscar Chupungco, OSB, a Filipino Benedictine
who had been elected president of the Pontifical Institute of Liturgy in Rome for four consecutive terms, was appointed the
first director of Paul VI Institute of Liturgy. The Institute is located on the grounds of the Monastery of the Transfiguration
in Malaybalay City, in Bukidnon, Mindanao. Among the liturgical subjects offered is liturgical music. The Institute also offers
one week seminars for composers of liturgical music. The Institute attracts students from all over Asia and even some missionaries
from the United States of America and Europe. The Institute is preparing for the publication of Misa
ng Bayang Pilipino, the Roman Mass for the dioceses in the Philippines with music by Dom Benildus Ma. Maramba, OSB. The
Misa was prepared under the direction of Dom Chupungco, OSB, an expert in liturgical inculturation,
after extensive research, studies, and consultations on Filipino culture and values as well as language. The Misa has been approved by the CBCP and has been submitted to Rome for confirmation. Music for the new ICEL translation
of the Liturgy of the Hours has also been composed.
The Conservatory of Music of the University
of Sto Tomas offers a course towards a diploma in Sacred Music. The conservatory has two choirs in residence: the Coro Tomasino
under Professor Ricardo Mazo and the Liturgikon under Dom Maramba, OSB and Fr. Nilo Mangusad. These choirs sing at important
liturgical services at the university chapel with the UST symphony orchestra. Dom Maramba, OSB has composed several masses
for these occasions: mass in honor of St. Lorenzo Ruiz on the occasion of his canonization, for two choirs, soloist, organ
and orchestra; mass in honor of St. Joseph for choir, soloist, and orchestra; and mass for the novena in honor of Our Lady
of the Most Holy Rosary (La Naval) for choir, congregation and orchestra.
The UST Symphony Orchestra, conducted by Professor
Herminigildo Ranera with musicians from St. Scholastica's College and other schools, performed at the Papal Mass during the
World Youth Day in Manila on January 15, 1995. The choir consisted of more than 700 members organized and rehearsed under
the leadership of Sr. Mary Placid Abejo, OSB. It was a Filipino liturgy with the Mass mainly in Filipino composed by Dom.
Maramba, OSB. Pope John Paul II celebrated the Eucharistic liturgy with more than five million people.
The Asian Institute of Liturgy and Music (1977)
admits students from different Christian communions from all over Asia and the Pacific even from Africa. It emphasizes inculturation
of music in the liturgy and encourages the use of indigenous instruments in the liturgical celebrations. The head of the Institute
is Dr. Francisco Feliciano.
Catholics seminaries and houses of formation
(Immaculate Conception Seminary, Malolos; Our Lady of the Angels Seminary, Franciscans; Holy Rosary Major Seminary, Naga;
John Paul I Biblical Institute, Vigan; St. Francis Regional Seminary, Davao; etc.) as well as Protestant Institutions (Asian
Institute for Liturgy and Music, Quezon City; Adventists University of the Philippines, Silang; etc.) are active in producing
and compiling new music. Other composers in the different regions are also contributing their talents: Damaso Panganiban,
Lipa; Nilo Mangusad, Manila; Crispin Cadiang, San Fernando, Pampanga; Floro Bautista, Bangued; Lorenzo Jarcia, Naga; Nestor
Alagbate, Daet; Ronaldo "Gboi" Samonte, Malolos; Nathaniel Cabanero, Kidapawan; Pablito Maghari,
Antique; and Vicencio Neniel, Davao.
Liturgical Music in the Philippines is now in
ferment trying to find its identity amidst so much diversity. Composers from different linguistic and subcultural groups have
composed music for the liturgy in the vernacular. The music has become ecumenical. It is not surprising that Lutheran, Anglican
and Methodist hymns and even Baptist gospel songs as well as charismatic songs find their way into Catholic liturgical celebrations.
It is not also unusual to hear music by Hontiveros, Francisco or other Filipino Catholic composers in the liturgical celebrations
of other Christian communions. Today, Sunday liturgies, Catholic or Protestant, are alive with active participation of the
assembly in a liturgy that is gradually being inculturated and acquiring Filipino features. Filipino Christians of various
communions can now pray and sing together with songs whose provenance really does not matter provided that it proclaims their
same faith in Christ, their common Redeemer and Saving Lord.
SOURCE: http://www.ncca.gov.ph/about_cultarts/comarticles.php?artcl_Id=156 | |
Online Petition to Pope Benedict XV1 to Reform Labor Practices of the Church
Monday, January 25, 2010 12:26 AM
To: Edward Joseph Adams
Apostolic Nuncio
Manila, Philippines
CONTACT Info
Edward
Joseph Adams, Apostolic Nuncio
Type of Jurisdiction: Nunciature
Country: Philippines
Mailing Address: 1004 Manila,
2140 Taft Ave. 1099 Manila, P.O. 3604
Telephone: xxxx
Fax: xxxx
c/o Msgr. Pedro C. Quitorio III
CBCP Media Office Director
470 General Luna Street
Intramuros, 1002 Manila ,
Philippines
P.O. 3601, 1076 Manila , Philippines
Tel Nos. (xxxx
Fax No. xxxx
Fw: Re: [Worldwide-Filipino-Alliance]
2nd national congress for clergy
Sunday, January 24, 2010 3:50 PM
From:
"maria.embry@sbcglobal.net" <maria.embry@sbcglobal.net>
To:
dnfunelas@yahoo.com
|
--- On Sun, 1/24/10, maria.embry@sbcglobal.net <maria.embry@sbcglobal.net>
wrote:
From: maria.embry@sbcglobal.net <maria.embry@sbcglobal.net>
Subject: Re: [Worldwide-Filipino-Alliance] 2nd national congress for clergy
To: Worldwide-Filipino-Alliance@yahoogroups.com
Date:
Sunday, January
24, 2010, 3:48 PM
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Dear Father Funelas,
May I humbly request
thru you that the 2nd National Congress for Clergy discuss the dire situation of Fr. Eusebio Pablito Maghari? Allow
me also to request same Congress to pray for the health of Fr Maghari.
Fr Funelas, I
have just posted in your facebook a copy of the online petition to Pope Benedict XV1 to Reform the Labor Practices
of the Catholic Church that currently has the signatures of
various individuals who are residents of the Philippines,
USA, UK, UAE, Poland, Austria,
Italy, Canada, Australia, New Zealand, Quatar, Saudi Arabia, France, Japan,
Singapore with the ongoing online campaign for signatures
http://www.gopetiti on.com/online/ 33104.html
My prayers are
with you & the others at the Congress as you had requested.
Sincerely,
Maria Elizabeth
Embry
Antioch Ca 94509
On Sun, 1/24/10,
Dante N. Funelas <dnfunelas@yahoo.
com> wrote:
From: Dante N. Funelas <dnfunelas@yahoo. com>
Subject: [Worldwide-Filipino -Alliance] 2nd national congress for clergy
To: dnfunelas@yahoo. com
Date: Sunday, January
24, 2010, 6:29 AM
|
start ng second
national congress for clergy tomorrow monday up to friday (jan. 25-29)....pls. include us in your prayers...maraming salamat....God
bless!
Fr. Dante N. Funelas,SSS
Sta. Cruz
Church
Sta. Cruz,
Manila 1003 PO Box 1664
Tel: xxxxFax:
xxxx
Mobile: xxxx
http://www.facebook .com/dnfunelas |
|
|
Media Columnists:
Online Petition to His Holiness Pope Benedict XVI
Saturday, January 30, 2010 9:04 AM
From:
"maria.embry@sbcglobal.net" <maria.embry@sbcglobal.net>
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